I've been writing crime fiction poems off and on for more than a decade. It's part of my ongoing investigation in portrait poems of what's destructive in an individual. I've read several hundred crime fiction novels. What fascinates me in them is the difficult history of an individual, the circumstances, forces and pressures which have made them wounded, warped, murderous.
The past decade has seen the rise of Scandinavian crime fiction. In the 1970's many non-Scandinavians saw Scandinavia as the liberal dream, a benevolent society taking care of its populace.
Anyone reading contemporary Scandinavian crime fiction will quickly be made aware that things are rotten in Denmark and further north. Those long winters, bored teenagers gathering in the mall or downtown shopping precinct, loners living in run-down apartment blocks, car and drug-smuggling between Eastern Europe and Scandinavia have shown us that Scandinavian crime fiction writers are asking hard questions about their society.
This is to be applauded. Also to be applauded are the driven, obsessive detectives and police officers who go without sleep, drink bad coffee, are poets of the clue, not resting until the nagging, niggling thought leads to a revelation/a case breakthrough. These are the knights, overdue for retirement, who cannot rest until the monster criminal is ambushed, handcuffed, tried and sentenced. Allow these detectives and police officers their pleasures - a generous nightcap, some musing time in an armchair listening to Coltrane or Callas, their fantasy of a long holiday in far warmer Spain.
The crime fiction torch has been passed from the Californian likes of Chandler, Hammett and Macdonald to the Scandinavians. Go figure.